|
The High
| NAME: |
 |
The High |
| MEMBERS: |
|
John Matthews, Andy Couzens,
Simon Davies, Chris Goodwin |
| HIGHEST CHART SINGLE: |
|
Box Set Go |
| ESSENTIAL TUNE: |
|
This Is My World |
| ESSENTIAL ALBUM: |
|
Somewhere Soon |
| FASCINATING FACT: |
|
The band and their label
were once involved in a chart-rigging scandal. |
| BAGGY RATING: |
|
Maybe not a 20 inch bell
bottom, but definitely pretty darn loose fitting. |
SOME WRITING ON THE BAND:
The chiming guitar,
the plinkety piano, the groovesome beats. The High's 1990
debut LP crammed most of what constituted 'jus de Baggy'
into its first 25 seconds. But then Andy Couzens had been
The Stone Roses' bass player (leaving after a gruelling
Scandinavian tour), so we always knew his baggy credentials
were good (despite his reputation for being a hard man).
The High's sound maybe didn't have the
arrogant swagger of the Roses, or the swirling garage
keyboards of the Inspirals or Charlatans, but what it
lacked in gimmick it made up for in feeling. Theirs were
songs that dripped with emotion, be it a soaring defiance
or gentle despair. 'This Is My World' - with its 'this
is my world and I will live in it' hook was the most obvious,
anthemic example, but the tragically sad 'A Minor Turn'
with it's simple acoustic guitar and sighing vocals was
perhaps the era's most heart-tearing tune.
Sadly, after that fine first album, things
went decidedly pearshaped. Singer John Matthews apparently
ended up in an institution after his drink was spiked,
and when the comeback eventually, um, came they'd discovered
rawk music. The dirgey single 'Better Left Untold', with
its chorus of 'it's just a story and it's better left
untold' was, unfortunately, more a case of 'it's just
a shadow of your former glories, and it's better left
unheard'.
Which is pretty much how it panned out.
By the time we saw them on a Sunday night in Derby's Warehouse
in about 93 their star had plummeted. There were literally
7 people there. The band looked gutted. And they split
soon after.
But while they might never have
enjoyed the success of the Roses, or even the infamy of
some of the other players, The High's 'Somewhere Soon'
remains the album to play to anyone claiming the Madchester
era was all shallow swagger and empty drugs-references.
|